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Luca Guadagnino’s new film Queer portrays a vulnerable story of romance and addiction
Just 6 months after the release of Luca Guadagnino’s previous film, Challengers, fans might wonder if Queer was a rushed project. However, when introducing…
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Bananas, billionaires, and the art of the unrelatable: a review of Maurizio Cattelan’s Comedian
In 2019, when Maurizio Cattelan duct-taped a banana to a wall in Galerie Perrotin’s booth at Art Basel Miami Beach and called it Comedian,…
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Review: Eugene Lang College of Liberal Arts presents Everybody
Everybody, a Eugene Lang College of Liberal Arts production, asks its audience: when you die, what do you take with you? The answer bounds…
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The MET’s Paul Rudolph exhibit fails to encapsulate the creativity of architecture
Paul Rudolph was an iconic American architect, known for his use of reinforced concrete and complex floor plans which set the stage for modern…
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Veterans Day screening of THIS IS NOT A WAR STORY leaves popular narratives of war in the dust
THIS IS NOT A WAR STORY — a film written and directed by New School professor of screen studies Talia Lugacy — is a…
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Venom: The Last Dance spins into absurdity, but it’s still a blast
Kelly Marcel’s Venom: The Last Dance may be marketed as the finale for the Venom trilogy, but the overwhelming number of side plots and…
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